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We all know who James Bond is, but how many of us know much about his creator, Ian Fleming, a master of espionage and thrillers? In this full-length biography, author Andrew Lycett tells the story of Ian Fleming's life proving that it was just as dramatic as that of his fictional creation. Educated at Eaton and Sandhurst, he joined Naval Intelligence in 1939 participating in both Operation Mincemeat and Operation Golden Eye. After the war, he became a journalist and, in 1953, wrote Casino Royale thereby introducing the world to an English spy named James Bond.
Set in London, Switzerland and Fleming's Jamaican estate Goldeneye, his life was peopled with luminaries like Noel Coward, Sean Connery, Ursula Andress, Bond film producer "Cubby" Broccoli and others. With direct access to Fleming's family and friends, Lycett goes behind the complicated façade of this enigmatic and remarkable man. Ian Fleming by Andrew Lycett is biography at its best—a glittering portrait of the brilliant and enigmatic man who created Agent 007.
- Sales Rank: #638672 in eBooks
- Published on: 2013-10-01
- Released on: 2013-10-01
- Format: Kindle eBook
From Publishers Weekly
Exhaustive and compulsively readable, Lycett's latest (first published in the U.K. in 1995) is billed as the first full-length Fleming biography to be published in America. Biographer Lycett (Dylan Thomas: A New Life) calls his subject an immature child of the jazz age—a man of wealth and privilege who shared his fictional hero James Bond's fascination with women, gambling, and drinking. Fleming applied to Britain's Foreign Office for a job but to no avail, but thanks to the forceful lobbying of his snobbish and well-connected mother, he was hired by the Reuters news agency in London. During WWII, he worked for Britain's Naval Intelligence Division. One of the book's pleasures is reading about upper-class social life before, during, and after the war: Fleming and his wife, Ann, mingled with statesmen and notable cultural figures in London and at Goldeneye, their Jamaican retreat. But Fleming did have a darker side, collecting sadomasochistic erotica and being callous to women. Lycett uncovers the seeds of Bond in Fleming's life (though perhaps not as thoroughly as diehard fans would wish), as well as addressing the decline of Britain's power in the postcolonial world. In this anecdote-filled account, Lycett pays tribute to Fleming's colorful life, which was cut short by a heart attack in 1964 at age 56, just two years after Sean Connery starred in the film version of Dr. No. 8-page b&w photo insert. (Oct.)
From Booklist
Given the intense interest American readers and moviegoers have in James Bond, it’s odd that Lycett’s 1995 biography of Bond’s creator, Ian Fleming, has taken this long to reach the U.S. Lycett covers lots of ground, exploring Fleming’s life not merely as novelist (he published 13 Bond novels before his death at 56 in 1964) but also as journalist (he worked for Reuters and the Sunday Times), stockbroker (briefly in the 1930s), member of British Naval Intelligence (he participated in a disinformation operation designed to conceal the impending Allied invasion of Sicily), and celebrity (although he died just as the Bond movies were taking off, he enjoyed hobnobbing with the producers and stars). A certain mythology has built up around Fleming, based mostly on the facts that James Bond is a superspy and his creator worked for Naval Intelligence, and Lycett does an admirable job of bringing Fleming back down to earth, separating fact from legend while still giving Fleming his due as a larger-than-life personality. A must-read for Bond aficionados. --David Pitt
Review
“The only Fleming biography I have read which gets to the heart of this complex, fascinating man.” ―Charles Cumming, author of A Foreign Country and The Trinity Six
Most helpful customer reviews
8 of 8 people found the following review helpful.
A five star read - back in '96 and today!
By Mike Vincitore
No doubt the very romanticized "Fleming: The Man Who Would Be Bond" BBC miniseries will renew interest in Andrew Lycett's definitive biography of 007's creator.
I bought and read Mr. Lycett's book in 1996, shortly after its publication, and posted this to a James Bond newsgroup:
"I have just finished reading "Ian Fleming-The Man Behind James Bond" by Andrew Lycett.
This is absolute must reading for anyone pretending to call him/herself a Bond fan.
The book is a first-rate read, and peppered with observations from Ian, Ann, Sir Noel Coward, and others. Already described elsewhere as the definitive biography, it paints an absolutely fascinating portrait of a complex-and largely very unhappy-man, a man capable of great friendship and kindness-and extraordinary selfishness and callousness.
Ian lived to the hilt, and for himself (despite being a husband and father) until in his fifties he realized that, in Marc-Ange Draco's words, he had "had everything, eaten all the sweets of life at one great banquet, and there is nothing left." (OHMSS, Ch 5). At a time when he should have been most happy with the fruits of his labor, he was prey to the blackest depression.
Having realized this apparently he simply resigned himself to a premature death, and lived in such a way as to hasten it. It must be admitted that this portrait is not quite the stuff of legend many of us would hope for, but it makes for mesmerizing reading nonetheless. I emerged with deep feelings of sympathy for the man, as well as a renewed respect for his genius.
I also acquired a wealth of understanding on how two people can ruin a marriage by refusing to compromise or to respect each other's individuality. You could not imagine a more mismatched couple than Ian and Ann, and each one insisted on being happy on their own terms only.The book confirms for me the truth of what in retrospect is probably the most intensely personal passage in any of his books:
"Most marriages don't add two people together. They subtract one from the other"
(Diamonds Are Forever, Ch.22).
Well-read Bond fans will instantly recognize the real-life characters, places, and situations (and there are many) that provided grist for the mill of Ian's fertile imagination. The book also seems to confirm Raymond Benson's statement in "The James Bond Bedside Companion" that as he was faced with his own failing health and mortality, his later books took on a feeling of impending doom.
These aspects of Lycett's book are, however, secondary to the pathos of Ian and Ann's life as husband and wife.
Suffice to say that the James Bond story that most closely parallels the last 12 years of Ian Fleming's life is "Quantum Of Solace".
Each chipped bits off the other until the marriage was to all intents and purposes irretrievably ruined. Despite each one of them carrying on long-term extramarital affairs (I suppose I shouldn't have been surprised to read this, but I was) they continued to love each other, but could not make the sacrifices that would enable them to live together for an extended period.
I for one will never look at a Bond book in quite the same way again."
11 of 12 people found the following review helpful.
An exhaustive biography of the talented creator of the James Bond series
By Bookreporter
This new and surely exhaustive biography of the fascinating creator of the James Bond series reveals a deep, sensuous, driven man who lived through the end of Britain’s orderly days of world empire and into a modern era that was by contrast morally chaotic and numb.
Andrew Lycett, who has written about varied other luminaries of Fleming’s ilk (Rudyard Kipling, Dylan Thomas) --- brilliant, well educated, moneyed --- has pulled out all the stops here to ensure that his Fleming is the Fleming. A neglected boy, as those of his class often were, troubled teen Fleming jumped ahead as a scholar when sent to a “cramming” school, and, casting about for a career, failing as a banker, he was lucky enough to find himself suited for war at a time when a suitable war was breaking out. He worked in the British Naval Intelligence during World War II, at which point, legend has it, James Bond was born.
But Bond did not see the light of public scrutiny until a few years after the war. Lycett records that Fleming began typing away at this story, “which had been rattling around in his head for so long” while vacationing in Jamaica with his bride-to-be, Anne Charteris, a divorcee and the great love of his not-always-so-happy life. He managed to complete the novel in just four weeks, and “when Ian returned to London, not only was he a married man, but also he carried a typescript of CASINO ROYALE in his suitcase.”
For the next 13 years, Fleming turned out Bond books to satisfy an ever-increasing popular demand. Perhaps the stories reminded readers of the good old days when men were well dressed and deadly, women were submissive and seductive, and enemies were villainous and worth destroying, like the evil Goldfinger. Or perhaps they were simply thrilled with the new techno-toys in the complex age of stealthy, cold warfare. Undoubtedly, the Bond books gave the spy vs. spy genre a huge boost that has never since waned, and put into the language certain deathless catchphrases like “shaken, not stirred.”
Fleming’s fictional women (and some real ones) fell into bed with lubricious abandon, his bad guys cheated at cards, and there were few good guys; Bond himself was, like his creator, a roué. Not unlike Fleming, who, as depicted by Lycett, was not much for personal awareness: he didn’t see his relationship with Anne crumbling, or acknowledge it, until it was nearly ground to powder. Yet his understanding of the tactics of spycraft were such that his even sardonic suggestions to the Kennedy entourage at a casual breakfast, based on his upcoming novel THUNDERBALL, were taken seriously as possible tactics in the American standoff with Fidel Castro.
This is a long book, possibly too long for any but the hardiest Fleming fan, but Lycett seeks to make Fleming a three-dimensional man, not to be mistaken for the one-dimensional character he created. Lycett concludes fairly that Fleming “encapsulates both the tragedy and the triumph of his time,” beginning by cleaving to the straight and narrow respectability of his forebears, and ending with a flash of thoroughly modern madcap creativity that lined some pockets nicely and brought us all a bit of a thrill.
Reviewed by Barbara Bamberger Scott
7 of 8 people found the following review helpful.
A Great Book, but not new.
By Drake 57
I just received my pre-ordered edition. Near as I can tell, it's the same book as the original published in 1995 by Weidenfeld & Nicholson. It has the same number of pages, pictures, table of contents, etc. I was thinking the author - as some biographers are known to do - had discovered enough new information to embellish. If you don't have a copy, by all means get it. There are at least four other books about a part or all of Fleming's life. This is by far the most in-depth and comprehensive.
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